Combating intolerance, indifference, and ignorance by exposing censorship, hypersensitivity, and conservatism as the highest forms of perversion.

Since its launch in 1992, Bitterkomix has adapted to the evolving socio-political landscape in South Africa. It has explored a wide range of narratives and topics, including eroticism and violence, and various philosophical elements such as feminism, post-colonialism, and the like. This comic book is still intermittently published, with 19 issues currently in existence, along with multiple associated publications and side projects, such as Lag-Lag. In short, Bitterkomix challenges political and institutional censorship in South Africa by deconstructing stereotypes related to gender, sexuality, race, tradition, religion, and more.

The co-founders of Bitterkomix, Anton Kannemeyer (known as Joe Dog) and Conrad Botes (Konradski), have embraced an irreverent approach in their language and style. Over the past three decades, they have crafted a dark and caustic critique of mainstream conservative Afrikaner cultural norms. Despite their strong roots and ancestral ties to traditional Afrikaner culture, both artists employ hyperbole, satire, analogy, and parody to challenge past and present power structures in South Africa. Bitterkomix references various historical and contemporary social and political issues, delivering a biting critique of the conservative establishment, particularly the deeply entrenched Afrikaner ideologies that persistently contribute to ignorance, ineptitude, and bigotry in South Africa, echoing back to the Apartheid era.

Bitterkomix has consistently faced criticism for its approach, which thrives on eliciting reactions. In an era marked by growing nationalism and conservatism, concepts such as hyperbole, satire, parody, metaphor, and even appropriation have become progressively challenging for people to comprehend. This conservative environment, where almost anything can be deemed offensive, highlights a lack of lateral, abstract, or sound critical thinking skills. So, ironically, Bitterkomix is often seen as offensive by perceived liberals as well as conservatives, who seem to misunderstand the deeper meanings and underlying concepts innate to these comics.

As a result, historically significant texts like Bitterkomix are often demonised and censored, taken out of context, and perceived as offensive. In fact, Bitterkomix is a prime example of intellectualism and critical thinking at work. One could argue that the negative assessment of intellectualism and low aptitude for critical thinking is one of the greatest challenges of our time. The contemporary atmosphere of digital isolationism, woke fundamentalism, and post-truth extremism makes it increasingly difficult for genuinely creative expressions to thrive. Bitterkomix, in its effort to counteract this narrow-mindedness, has become a notable and historic publication in this context due to its fusion of intellectualism, humor, and conceptual and critical thought.

Despite being perceived as controversial and outrageous by many South Africans, Bitterkomix continues to push boundaries and challenge the status quo. Somehow still alive, a relic of a once-enlightened era, Bitterkomix is recognised internationally as a pioneer in independent and counterculture publications.

This longstanding creative collaboration between Kannemeyer and Botes has evolved into South Africa’s foremost and most contentious satirical comic. Their uncompromising body of work delivers a sharp, incisive critique not only of the now tired, and still conservative, Afrikaner cultural mainstream but also of the broader state of our world. In an era where ‘wokism’ prevails, Bitterkomix stands as a resounding rebuke to the most insidious perversion of all—censorship. The complete collection of Bitterkomix publications and side projects, spanning its history since its inception, occupies a significant place in the Colophon Collection.

Words by Shane de Lange

From the underground into the mainstream and back again, this is subversive counterculture in motion and an important branch of contemporary expressionism.

Bitterkomix no.1

Year: 1992
Pages: 60
Print run: 1000
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: black & white silkscreened cover. No material from this issue has been reprinted to date. Very rare.

Bitterkomix no.2

Year: 1992
Pages: 44
Print run: 1000
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: two-colour cover, hand separated. Very rare.

Bitterkomix no.3

Year: 1993
Pages: 60
Print run: 800
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: two-colour cover, hand separated. Very rare.

Bitterkomix no.4

Year: 1994
Pages: 44
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: two-colour cover; hand separated. Very rare.

Bitterkomix no.5

Year: 1995
Pages: 40
Print run: 2000
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: Double print run, first 1000 copies in grey ink (jobbing ink). Very rare.

Bitterkomix no.6

Year: 1996
Pages: 44
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: final two-colour cover, hand separated. Very rare.

Bitterkomix no.7

Year: 1997
Pages: 40
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: first full colour cover.

Bitterkomix no.8

Year: 1998
Pages: 40
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: full colour cover.

Bitterkomix no.9

Year: 1999
Pages: 44
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: full colour cover .

Bitterkomix no.10

Year: 2000
Pages: 44
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: saddle stitched and section bound.

Bitterkomix no.11

Year: 2001
Pages: 52
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: full colour cover.

Bitterkomix no.12

Year: 2002
Pages: 60
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: full colour cover .

Bitterkomix no.13

Year: 2004
Pages: 48
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: first full colour cover.

Bitterkomix no.14

Year: 2005
Pages: 64
Print run: 1200
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: full colour cover, published by Double Storey Books.

Bitterkomix no.15

Year: 2008
Pages: 100
Print run: 1000
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: full colour cover, with 32 colour pages, saddle stiched and section bound; published by Jacana Media.

Bitterkomix no.16

Year: 2013
Pages: 60
Print run: 800
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: first full colour cover, published by Jacana Media.

Bitterkomix no.17

Year: 2016
Pages: 96
Print run: 1000
Size: 27,7 x 21cm
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: full colour cover, published by Isotrope & XLibris.

Bitterkomix Special Edition

Year: 2002
Pages: 56
Print run: 80
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: limited edition, silkscreen printed cover and end papers, numbered and signed. Very rare as most were sold in England during the “Shelf Life” exhibition.

Best of Bitterkomix vol.1 (1st impression)

Year: 1998
Pages: 80
Print run: 2500
Size: 17 x 24cm
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: first English edition, saddle stitched and section bound. Selection from Bitterkomix 2 - 8, first print run.

Best of Bitterkomix vol.1 (2nd impression)

Year: 2002
Pages: 80
Print run: 2500
Size: 17 x 24cm
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: 2nd print run, new cover by Joe Dog, saddle stitched & section bound. Selection from Bitterkomix 2- 8

Best of Bitterkomix vol.2

Year: 2002
Pages: 80
Print run: 2500
Size: 17 x 24cm
Contributors: Anton Kannemeyer (Joe Dog), Mark Kannemeyer (Lorcan White), Conrad Botes (Konradski).
Other details: 2nd English edition, saddle stitched and section bound. Selection from Bitterkomix 9 – 12, including collaborations with iJusi and other publications.

The Big Bad Bitterkomix Handbook (softcover version)

Year: 2006
Pages: 217
Print run: 1200
Size: 23 x 28.5cm
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski), Mark Kannemeyer (Lorcan White), Garth Walker (iJusi).
Other details: paperback edition, designed by Garth Walker, full colour, published by Jacana Media.

The Big Bad Bitterkomix Handbook (hardcover version)

Year: 2007
Pages: 217
Print run: 800
Size: 17 x 24cm
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski), Mark Kannemeyer (Lorcan White), Garth Walker (iJusi).
Other details: Hard cover edition (with dust jacket & embossment); designed by Garth Walker; full colour; published by Jacana Media.

GIF(Afrikaner Sekskomix)

Year: 1994
Pages: 32
Print run: 1500
Size: 17.1 x 24.5cm
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details: First full colour cover; special sex-edition; banned on December 15, 1994.

Lag-Lag 1

Year: 1996
Pages: 32
Print run: 150
Size: 14.7 x 21cm
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski), Mark Kannemeyer (Lorcan White).
Other details: Limited edition silkscreen printed cover, numbered and signed, very rare.

Lag-Lag 2

Year: 2019
Pages:
Print run:
Size: A4
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski).
Other details:

Die Forster Bende

Year: 2000
Pages: 61
Print run: 1200
Size: 17 x 24cm
Contributors: Ryk Hattingh, Conrad Botes (Konradski).
Other details: graphic novel written by Ryk Hattingh and illustrated by Conrad Botes.

Die Tweede Reën

Year: 1998
Pages: 64
Print run: 1500
Size: 14.7 x 21cm
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski), Mark Kannemeyer (Lorcan White).
Other details: poems, illustrated by Joe Dog, Konradski and Lorcan White.

iKomix/Bitterjusi no.13

Year: 2000
Pages: 20
Print run: +/- 600
Size: A3
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski), Garth alker (iJusi), and others.
Other details: collaboration with Garth Walker’s iJusi, full colour, very rare.

Bitterjusi/i-Komix no.21

Year: 2004
Pages: 32
Print run: +/- 300
Size: A3
Contributors: Anton Kannemeyer (Joe Dog), Conrad Botes (Konradski), Garth Walker (iJusi).
Other details: 2nd collaboration with Garth Walker’s iJusi, full colour, very rare.

Join the discussion 6 Comments

  • FP Aldrich says:

    Good day,

    what a find this website is! I am sommer very exited.

    I would like to enquire about the available Bitterkomix et el, books you have.

    I have a few but would like the compete collection….it will be a very long mission, I know.

    Thanks,
    FP
    0609765873

  • Alberto da Silva says:

    This is great stuff, I love what Conrad Botes does with illustration. I have a few of the bitterkomix but would also like to have them all, not to mention some of Konradski’s newer pieces. Please let me know if there are any books available. Thanx
    .

    • Colophon says:

      Hi Alberto, thanks for your comment. Have you visited our online shop, accessible in the dropdown menu? There are a number of Bitterkomix issues available, and related publications, including a rare copy of ADA #11, which has one of Conrad’s earliest works in it.

  • Dave Curtis says:

    Hi, love what you are doing. Is any of these items available for viewing or likely to be digitised? Thanks.

    • Colophon says:

      Hi Dave. Thanks for reaching out. Nothing is available for viewing yet, as there is no physical space at present, and no exhibitions planned for the near future. Many items on the site are available for sale in the site’s shop. Aside from that, if there is a specific publication that you are interested in, don’t hesitate to send an email to: info@colophon.co.za

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